![]() ![]() A truly unsettling and hallucinatory experience…. All in all, this is his best constructed film plot-wise and visually that I’ve seen yet (if only I could track down Prospero’s Books). Too often we see Greenaway the provocateur instead of consummate artist (for example the listless second half of his latest film Nightwatching) - thankfully, A Zed & Two Noughts rarely falls into that trap. We don’t understand their motivations (especially during the film’s last act). ![]() We don’t really empathize with the characters. Ultimately, the film rings on the hollow side. I found this was his best written film and I rarely cringed at the acting. Despite the audience figuring out the rest of the plot about half-way through, the film is actually quite streamlined and concise which is astounding considering Greenaway’s normal tendencies. Identical twins Oliver and Oswald Deuce lose their wives in a car. In a horrific automobile-swan accident in front of the Rotterdam Zoo, two women die and a third, Alba (Andrea Ferrol), loses her leg. However, A Zed & Two Noughts maintains a strange/disturbing appeal. Zed & Two Noughts (A) AKA A Zoo: A Zed & Two Noughts (1985). A masterpiece of modern cinema, A ZED AND TWO NOUGHTS is Peter Greenaway’s beautifully disturbing and darkly humorous take on erotic obsession and death. To enjoy Greenaway one must accept heavy-handed (but spectacular) visuals, explicit male and female nudity (rarely sensual or erotic), relatively poor acting, repetitive Nyman scores, and uneven writing (done by Greenaway himself). At the same time, Alba’s doctor, convinces her that she needs her other leg amputated in a nefarious scheme to get her to fit in his recreation of various Johannes Vermeer paintings. Other plot elements entwine with the central story: the dead animals used in the time-lapse photography are supplied by shady figures at the Zoo (filmed at the Amsterdam Zoo). Both brothers, in an effort to get over the deaths, decide to construct elaborate time lapse photography of decaying animals (moving up the food chain). The car’s driver, Alba Bewick (played by the well-known Andéa Ferréol) mirraculously survives but loses her leg. The plot (some spoilers): two naturalist brothers (played by Brian and Eric Deacon) grieve over the death of both of their wives in a car crash caused by an escaped swan from the zoo. Occasionally, a location is represented by a single still that moves in the breezes ever so slightly. Instead, the local of this vaguely contemporary tale is strangely transformed by Greenaway’s camera. Greenaway’s technical abilities shine through - especially his haunting time-lapse photography of decaying animals interspersed with Michael Nyman’s repetitive minimalist score - and many of the standard Greenaway traits prevalent in his later films are present - his obsession with Dutch painters, placing his characters in visually arresting still life-like tableaus, etc.Ī Zed & Two Noughts marked a substantial departure from his previous film, The Draughtsman’s Contract (1982). Peter Greenaway’s A Zed & Two Noughts is a fascinating take (both visually and plot-wise) on the archetypal theme of coping with death. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |